Poetry by Sambhu R.: ‘Our reflections walk out of mirrors, / ashamed to take on / the semblance of our sinister shapes’

Flash Fiction by Rachel Buttigieg: ‘Memories don’t simply fade after grass burns away; shadows remain like the beautiful hibiscus from childhood memories shared in the gardens of destiny, where our mothers were to be friends.’

With a major national robotics win, two Mumbai teenagers take their creation to the World Robotics Olympiad. Their accomplishment could pave the way for more future leaders from India in the fields of science and technology. By Bushra Satkhed

Nishant Injam’s debut story collection The Best Possible Experience (2024) features a cast of characters between India and the United States who are often homesick for another world: a world that could be a physical or a metaphorical distance away, a world they aspire to with the burdens of a life unfulfilled. By Karan Madhok

Poetry by Ankush Banerjee: ‘Before anaesthesia shatters / the bough of your body, before the / moon overhead is a mouth of darkness, you / pray they fill the space between dislocated hip / & future with what you heard but / could never hold’

A city rooted in colonial legend, Nivedita Dey examines the linguistics of place, names, food, and culture that keep the “Calcutta” in Kolkata.

Poetry by Mrittika Chatterjee: ‘Windows cradle the world’s weight— / concerns, french braided, / but strands, a newly freed tribe. / Steering wheel clutched, / as if holding an inner child’

Poetry by Carol D’Souza: ‘An armour is only the skin / that has learned / that there is no such thing /
as face value / The prudent trick / of seeming like a free-flowing ditty / from within’

Prashanth Srivatsa’s The Spice Gate as a spectacular debut fantasy, a feast to the readers who slurp on worldbuilding, while also making them wonder if a freer world is possible. By Akankshya Abismruta

Poetry by Sunil Sharma: ‘a sign / from the heavens, a sighting / rare, a visitor infrequent, in the / urban jungle.’

Poetry by Kashiana Singh: ‘Flushed body of a zombie, burnt silk of raging worms / beholder of lost labyrinths, embroiderer of membranes’

Kiran Rao’s Laapataa Ladies (2024) is a film that makes serious societal commentary on the socio-cultural, economic, and governance aspects of women empowerment, wrapped within a multi-layered satire. By Kausik K. Bhadra