Nishant Injam’s debut story collection The Best Possible Experience (2024) features a cast of characters between India and the United States who are often homesick for another world: a world that could be a physical or a metaphorical distance away, a world they aspire to with the burdens of a life unfulfilled. By Karan Madhok

Prashanth Srivatsa’s The Spice Gate as a spectacular debut fantasy, a feast to the readers who slurp on worldbuilding, while also making them wonder if a freer world is possible. By Akankshya Abismruta

In Aparna Sanyal’s Instruments of Torture, each tale is a deep dive into the abyss of human suffering, portraying characters who are not just victims of their circumstances but also complex individuals grappling with the aftermath of their traumas. By Namrata

In a lengthy conversation, A.M. Gautam, the author of Indian Millennials: Who Are They, Really? (2024), speaks about the many anxieties and opportunities of the Indian millennial, themes of romance, employment, politics, and commerce, and discovering his own self while exploring the larger generation. By Karan Madhok

Vinita Agrawal takes the role of a ‘poetic journalist’ in Eartha, in verses that spark with compassion for all living entities on the planet. By Tansy Troy

The dystopian universe of Varun Thomas Mathew’s The Black Dwarves of the Good Little Bay (2019) is a prophetic chronicling of crisis as a condition of existence, and the contingency of truth as a mode of knowing or bearing witness to crisis. By Paromita Patranobish

“I was chasing this desire to pin down the inexplicable when I wrote Mad Sisters, but acknowledge that it is inexplicable. It sort-of grew in the novel, intwining with the cosmos and the idea of the sublime, and how the interpersonal is the tether that keeps us sane—and perhaps caged.” By Akankshya Abismruta

From Ek Ladki Ko Dekha Toh Aisa Lagaa, Badhai Do, Shubh Mangal Zyada Saavdhan, and more, a fresh lease of life seems to have been granted to a responsible on-screen LGBTQIA+ representation in the glitzy-verse of commercial Bollywood over the past decade. By Nivedita Dey

K. Vaishali won the prestigious Sahitya Akademi Yuva Puraskar this year for her memoir Homeless: Growing Up Lesbian and Dyslexic in India. She speaks about this latest honour, inclusivity in Indian publishing, and the challenges of revealing the sensitive parts of her life to the world. By Namrata

Sanket Mhatre poems in A City Full of Sirens address and interrogate the relations between ‘the eternal’ and ‘the transient’ in a nuanced manner, tearing into the expansive multiplicities of singular moments. By Ankush Banerjee

Published in India’s 75th year of Independence, Converse: Contemporary English Poetry by Indians (2022) presents unique and diverse voices from the diaspora, with poems that are a sustained discussion with history, oneself, the environment, myth, science, and relationships. By Dustin Pickering

In The Solitude of a Shadow, Devibharathi presents a complex picture of a vengeance-seeking narrator fractured by trauma, caste, and identity crisis. By Sneha Pathak

Amitava Kumar’s The Yellow Book: A Traveller's Diary (2023), conceptualizes the journal itself as an art object, where the act of journaling becomes a form of artistic practice. By Pranavi Sharma

Kiriti Sengupta’s Oneness (2024) is a condensed capsule of poetry, one that weaves multiple strains of being into an organic unity. With his vivid and sonic juxtapositions, the compositions in the new collection both obfuscate and enlighten the reader. By Ajanta Paul

In the run-up to the 2024 elections, the films that hit the big screens, the books showcased on the windowfronts, and the music crawling into our ears, has mostly sung the songs of propaganda. It’s art without dissent; art that rages for the machine. By Karan Madhok

Does the reader choose their book? Or the book its reader? Satyarth Pandita explores this grand moment of literary connection and resonance.

Chronicle of An Hour and a Half (2024) establishes Saharu Nusaiba Kannanari as a writer fierce and loyal to his craft, as he invites the readers to reflect on the spectacle of violence in our technologically-powered society. By Akankshya Abismruta

Debut novelist Atharva Pandit discusses why he chose to render the true-crime story as fiction in Hurda, the polyphonic nature of the narrative, and his uninhibited portrayal of the investigation and the actors involved in the case. By Saurabh Sharma

In a wide-ranging conversation with, acclaimed poet and dancer Tishani Doshi spoke to Ronald Tuhin D’Rozario about her literary work, the fundamentals of ‘Vilambit’ in her writing, and artistic journeys through space and time.

In Abhishek Anicca’s memoir The Grammar of my Body (2023), the protagonist is a disabled body, charting its terrain through the unforgiving, able-bodied world. By Priyanka Chakrabarty

Marnina (Avirup) spoke to representatives from Queer organizations at the 2024 Kolkata Book Fair about the experience of hosting their stalls, seeking diversity in Indian publishing, and much more.

In The Grammar of My Body, Abhishek Anicca shared his journey of discovering his disability and chronic illness. In an interview, Anicca spoke about disability in the face of capitalism, politics, and literature in an ableist society. By Akankshya Abismruta

Poet, writer, and essayist Sumana Roy speaks to Ronald Tuhin D’Rozario about the creative process, shifting between poetry and prose, and the ‘joyous riyaz’ of a literary life.

How a slow but steady collective drive is finally instrumentalizing a change in the Indian publishing landscape, giving rise to queer, Dalit, disabled, Adivasi, and other marginalized voices on the bookshelves. By Saurabh Sharma

Vivek Shanbag’s novel Sakina’s Kiss (2013) features a protagonist obsessed with possession, uncomfortable in the evolving role of his masculinity, searching for meaning in a life where every answer presents a series of more confounding questions. By Karan Madhok

At the core of Ranjit Hoskote’s latest poetry collection Icelight is a restlessness, a searching presented as a series of inward questions which never quite find their resolve; they keep going until the question itself becomes the endgame. By Vinita Agrawal

Tejaswini Apte-Rahm’s The Secret of More (2022) tells a provocative tale of urbanization in early 20th-century Bombay. By Akankshya Abismruta

Linda Ashok’s Sharpless 29 is a collection that marries precise scientific theories to metaphors of both mundane and extraordinary human questions, all interspersed with witty and rich poetic ornaments. By Nivedita Dey

In Hope for Sanity, a collection of columns filled with nuggets of wisdom, empathy, and advice, decorated former policeman Julio Riberio emerges as a “conscience keeper” for our nation. By Karan Madhok

Arundhati Roy’s storytelling illuminates the desires to split open the human grids that characterize our world, and fulfil her yearning for a particular kind of homeland: a gentler, stiller, less hypocritical, and less transactional place. By Saba Karim Khan