Short story by Madhurjya Goswami:‘It was only after the state police’s operations were over, after the troops with sniffer dogs scoured every nook of the city, after the NDRF’s neon orange jetties sliced across the grey Brahmaputra, that the body of singer Niren Rajkhowa washed up on the banks of the river in a quiet and leafier corner of Kharguli.’

In Never Logged Out, Ria Chopra presents astute observations on growing up online, Gen Z, and the Indian internet, approaching these subjects with a writer’s restraint rather than a theorist’s grandiosity. By Sneha Bengani

In Quichotte (2019) Salman Rushdie deconstructs the motif of the quest while creating a darkly humorous, grotesque, and irreverent anti-heroic saga of a modern day mock medieval knight. By Paromita Patrabonish

From its origins in the 1882 novel Anandmath, the attention of European Orientalists, and the impact on early Hindu nationalist movements, Abhimanyu Kumar traces the complicated legacy of India’s national song.

In a wide-ranging interview, Salini Vineeth speaks about profound questions of identity in her work, switching to literature after an engineering background, writing in multiple languages, and more. By Mitra Samal

Despite a promising premise, Anubhav Sinha’s courtroom drama Assi succumbs to formulaic depictions of sexual violence, trading nuance and subtleties for shock value. By Akshita Prasad

In Lavanya Lakshminaryan’s The Ten Percent Thief, a dystopic Indian future serves as the setting to explore existential dilemmas of human creativity in the face of an authoritarian technocracy. By Karan Madhok

Farah Ahamed examines the complexities of motherhood and desire in Saadat Hasan Manto’s “Mummy,” Mahesh Manjrekar’s Astitva, and Deepa Mehta’s Water.

Tej Sisodia’s short film It’s Only 47° C highlights the dangers faced by India’s most vulnerable populations at the face of climate change. Sravasti Datta goes behind the scenes with the filmmakers to learn more.

Poetry by Bunny: ‘I dip the iris in soy / and watch the dark eat the color. / Still, through the stain, I see you.’

Poem by Anju Devadas R D: ‘Ink spills like blood, / blotting the margins of her name. / Each word a bone, / each sentence, / a noose of syntax.’

The Ministry of Science & Technology has partnered with SARAL AI to convert research publications into ‘user-friendly’ social media content. But without clear parameters in scope, the initiative leaves ambiguity for the rights of researchers, academics, writers, publishers and more. By Madhuri Kankipati