Original poetry and art by Shamayita Sen: ‘whirring ceiling fan / performing Kathak tarana in solitude’

Head of design at Penguin Random House India Ahlawat Gunjan discusses the art of book covers, the collaboration of literature and design, of sales and inspiration, and the magic process making it all come together. By Varud Gupta

Poetry by Shivangi Mishra: ‘The calm stillness of those frosty mornings of yesterdays / Still echo in my dreams, / Ruffled within a distant silhouette of past’

MP and author Shashi Tharoor speaks about the legacy of B.R. Ambedkar, the British Rule, and puts forth an argument for a presidential system of governance in India. By Medha Dutta Yadav

New visions of the past, fresh perspectives on the present, and big questions for the future. From Barkha Dutt and Nandita Iyer to Ramachandra Guha and Neerja Chowdhury, Saurabh Sharma previews the most-anticipated Indian non-fiction releases in 2022.

What’s The Chakkar? Episode 15: We’re watching Decoupled; listening to Amyt Datta; and reading books by Neel Mukherjee and Bill Hayes. Featuring Aditi Murti, Anurag Tagat, and Saurabh Sharma. Hosted by Karan Madhok.

With today’s fast-paced digital connectivity and the slew of productivity tools at their disposal, critiques of the office spaces asked if the cost of infrastructure, the inconvenience of the daily commute, and the needless increase in the carbon footprint was worth it. The pandemic proved them emphatically right. By Vipin Labroo

Much of the novel Legal Fiction is about the facts only understood as fiction, and the fictions that should never interfere with facts. Chandan Pandey’s story shines in the uncomfortable confluence of the real and imagined in a dangerous New India. By Karan Madhok

Poems by Kashiana Singh: ‘meanwhile, you stir life / into us, our faces cupped / in the folds of your / turmeric stained / hands – / held by a firm wrist / draped / in a beaded rosary’

In Patna, Bihar, a community-led art installation Khud Se Pooche highlights the urgent need for women seeking access and dignity in healthcare. By Priyanka Sacheti

Rachita Vora’s ‘The Mumbaikar’ art series pays tribute to Mumbai and its people, in a homage to the iconic magazine covers of The New Yorker. By Medha Dutta Yadav

‘I simply mean: our image of forever / Is not forever, the way a painting / Of an ocean is not wet.’