Jaideep Ahlawat again portrays Hathi Ram Chaudhary in the second season of Paatal Lok, the haggard cop whose memory serves both as a crime-solving device and as moral code to leave no life unforgotten. By Karan Madhok

Photo Story by Zerneela Mohammed Wakil: Every year, the spring festival of Basant Panchami is celebrated with fervour at the Dargah of Hazrat Nizamuddin Auliya in New Delhi, with deep-rooted Sufi connections stretching back to the 13th-century.

Essay by Tansy Troy: ‘As arresting now as when first sculpted, Navjot’s contemplation of the feminine form is no less contemporary, no less urgent to consider than when she created the red-and-blue lady thirty years ago.’

Indian urban centres are getting hotter every year due to the heat island effect. With millions of lives at stake, urgent city-planning measures are needed across the country to mitigate the incoming crisis. By Vipin Labroo

Directed by Vinay Shukla, While We Watched focuses on how journalist Ravish Kumar holds onto the basic tenets of ethical journalism in a country facing informational crisis and democratic backsliding. By Archit Nanda

Featuring artwork by some of India’s greatest artists, “Ink” at New Delhi’s Gallery Espace plays the role of a catalyst in thinking beyond the normative practices of art-making, art showcasing, and curatorial interventions. By Satarupa Bhattacharya

An exhibition of work by T.S. Satyan—dubbed ‘the father of photojournalism in India—presents him as an image maker who found lightness and joy in chaos. By Bindu Gopal Rao

Poetry by Sunil Sharma: ‘The moment // compresses the competing / time-zones and geographies; // unites the widely-apart views / into / a single landscape of converged / colours.’

In Hope for Sanity, a collection of columns filled with nuggets of wisdom, empathy, and advice, decorated former policeman Julio Riberio emerges as a “conscience keeper” for our nation. By Karan Madhok

Fiction by Divy Tripathi: ‘Suddenly, a new hunger arose inside. A desire for instant retribution enveloped him, a sudden need to right this particular slight. “I am not your servant,” he said. “Talk with respect.”’

Netflix’s Trial by Fire (2023) explores the true story of the 1997 Uphaar cinema fire and its long aftermath, presenting a heartbreaking narrative which shines brightest in its exploration of human intimacies. By Karan Madhok

Sakshi Nadkarni on Amitabha Bagchi’s Half the Night is Gone (2018), a tale of stories withing stories, both dense and sparse, a glimpse across many Delhis, a meditation on sorrow, fatherhood, self-reflection, and literature itself.