Through intimate details and dialogues, Rachna Singh’s Raghu Rai: Waiting for the Divine invites readers into the expansive vision of the man often hailed as the father of Indian photography. By Neera Kashyap

Nivedita Dey recalls the glory days of Mumbai’s bygone Cafe Samovar, where for decades, friends, family, strangers, students, lawyers, homemakers, thinkers, creative souls, Bollywood icons, Marxists, liberals, and more diverse groups of humans huddled over cups of cutting chai.

In the run-up to the 2024 elections, the films that hit the big screens, the books showcased on the windowfronts, and the music crawling into our ears, has mostly sung the songs of propaganda. It’s art without dissent; art that rages for the machine. By Karan Madhok

Featuring artwork by some of India’s greatest artists, “Ink” at New Delhi’s Gallery Espace plays the role of a catalyst in thinking beyond the normative practices of art-making, art showcasing, and curatorial interventions. By Satarupa Bhattacharya

Amrit Pal Singh’s 3D toy-like renditions of characters, figures, and movements celebrate a whimsical childhood that transcends age. By Bindu Gopal Rao