Fiction by Karthik Krishnan: ‘Her mother had told her that a flower-carrier never died. The flowers were a promise of life, she had said. They touched her with their perfume, imbuing her with foreverness.’

How a slow but steady collective drive is finally instrumentalizing a change in the Indian publishing landscape, giving rise to queer, Dalit, disabled, Adivasi, and other marginalized voices on the bookshelves. By Saurabh Sharma

Poetry by Kashiana Singh: ‘A canopy of desert flowers for / the darkest of his nights, marvel / of bitterroot bursting forth from / dead earth’

Observed from a lens of progressing dementia, Goldfish (2023) is a complex story of a mother and daughter’s emotional conflict, of diaspora and community, of music and joy. By Neera Kashyap

Vivek Shanbag’s novel Sakina’s Kiss (2013) features a protagonist obsessed with possession, uncomfortable in the evolving role of his masculinity, searching for meaning in a life where every answer presents a series of more confounding questions. By Karan Madhok

Creative Nonfiction by Ronald Tuhin D’Rozario: ‘And then, sometimes—only sometimes—we pull out a stack of old, old handwritten letters with multiple creases, letters exchanged in the past. We touch and re-touch the fragility of being, feeling, and loving too much, all that we once assumed that time couldn’t repair.’

At the core of Ranjit Hoskote’s latest poetry collection Icelight is a restlessness, a searching presented as a series of inward questions which never quite find their resolve; they keep going until the question itself becomes the endgame. By Vinita Agrawal

Poetry by Preeti Manaktala: ‘Sparrows line up on a hanging / electric wire in the distant // chirping and waiting to dry their moist feathers, / but the sun seems incapable today / amid the fog.’

With a bloodthirsty protagonist and an army of brute Sikh men, Sandeep Reddy Vanga’s controversial hit Animal reduces the Punjabi folk song “Arjan Vailly”—a storied war cry against oppression—into a chorus of vile brutality. By Deepansh Duggal

After a decade of mishaps, the legendary Malayalam and Tamil film star Mammootty chose a path of experimental cinema for himself and his production company, resulting in a slew of unconventional, socially-conscious blockbusters. By Deekshith Pai

Personal Essay by Ajay Patri: ‘Sometimes I like to imagine a parallel universe in which my brother stayed. In this universe, I continued playing cricket after school, continued following the sport with the fervour of most of my compatriots.’

Fiction by Neera Kashyap: ‘“My friends say this is dirty blood,” she said. “That’s why nobody talks about it, not even our mothers. Not even when there is pain. My mother says not to eat this and that, says I have to be careful now, dress modestly, not talk to boys.”’