Tejaswini Apte-Rahm’s The Secret of More (2022) tells a provocative tale of urbanization in early 20th-century Bombay. By Akankshya Abismruta

Poetry by Anushri Nanavati: ‘September is penned in the black ink of loss: / the carcasses of a thousand spiders / strung together, legs locked, tumbling / in tandem’

Fiction by Urmi Chakravorty: ‘She lived in a community where a woman could cement her position only after she bore children. Without a biological offspring, her worth was limited: she was like another supermarket product, destined to be discarded after a brief shelf life.’

The medical survival thriller Kaala Paani (2023) explores the dehumanization of indigenous communities through the prism of politics, development, and a dangerous pandemic in the Andaman and Nicobar Islands. By Anusha Prakash

Featuring artwork by some of India’s greatest artists, “Ink” at New Delhi’s Gallery Espace plays the role of a catalyst in thinking beyond the normative practices of art-making, art showcasing, and curatorial interventions. By Satarupa Bhattacharya

An exhibition of work by T.S. Satyan—dubbed ‘the father of photojournalism in India—presents him as an image maker who found lightness and joy in chaos. By Bindu Gopal Rao

Linda Ashok’s Sharpless 29 is a collection that marries precise scientific theories to metaphors of both mundane and extraordinary human questions, all interspersed with witty and rich poetic ornaments. By Nivedita Dey

Poetry by Sunil Sharma: ‘The moment // compresses the competing / time-zones and geographies; // unites the widely-apart views / into / a single landscape of converged / colours.’

Fiction by Samruddhi Ghodgaonkar: ‘When my foot slipped, I felt a familiar sense of suspension, the weightlessness of a social pariah, a suspension that now waited with a terrible consequence.’

In Hope for Sanity, a collection of columns filled with nuggets of wisdom, empathy, and advice, decorated former policeman Julio Riberio emerges as a “conscience keeper” for our nation. By Karan Madhok

Arundhati Roy’s storytelling illuminates the desires to split open the human grids that characterize our world, and fulfil her yearning for a particular kind of homeland: a gentler, stiller, less hypocritical, and less transactional place. By Saba Karim Khan

Poem by Tejaswinee Roychowdhury: ‘My roots changed course / the day I started stuffing words / back in dictionaries’