Short story by Rhea Gangavkar: ‘I looked at the hospital’s main gate; how many people were here for the same thing? I looked at Megha. She was staring at the sky as she softly whispered, “It might rain.’”

In his latest work, Salman Rushdie expertly flirts with the line between fact and fiction, declaring all living beings—including those reading his book—may be ‘characters’ in a grander historical fiction. When nothing is real, stories are the only reality. By Karan Madhok

Jerry Pinto’s The Education of Yuri (2022) is an atmospherically saturated, layered accordion, sounding an adventure in scale that simultaneously encompasses the chronicle of a young boy’s coming of age, and a time capsule of Bombay of a bygone era. By Paromita Patranobish

Personal Essay by Bharti Bansal: ‘The only way light can bend with no escape is by entering a black hole. You grow old enough to realize that whatever happened to you wasn’t the universe communicating. It breaks you in the worst possible ways.’

Personal essay by Sreelekha Chatterjee: ‘I had a habit of waking up at the slightest disturbance in the surroundings. In the wavering streetlight coming from the open doors at both ends of the room, there were silhouettes of ghastly figures shortening and lengthening.’

Two recent travel books by Indian women—Taran N. Khan’s Shadow City and Pallavi Aiyar’s Orienting—bring a unique, gendered perspective to the social and cultural complexities of expat life in Afghanistan and Japan. By Nileena Sunil

An essay on art and analysis by Dhani Muniz: “Art was never art in the way that food has always been food; or perhaps, rather, it is a vast restaurant at the end of the universe in which we are all picky eaters.”

Short story by Ushma Shah: ‘There was a pale, mouldy smell around him, and then, Abhi smelled himself. He had a stench, too, mouldy, and woody, and old.’

At the recent Van Gogh 360° event in Mumbai, Bushra Satkhed found inspiration in the trouble artist’s keen eye for the beauty in life.

How the music from Qala (2022)—produced by Amit Trivedi—diverged from the flow of mainstream formulas in the Hindi film industry, and succeeded in inhabiting a rare sweet spot of commercial and critical appeal. By Raunaq Saraswat

The fifth edition of the international art residency ‘Chitrashaala’ concluded in Mukteshwar, inspiring over a hundred new artworks by artists from all around the world at the foothills of the Himalaya. By Bindu Gopal Rao

Delhi Crime is a breath of fresh air in its realistic portrayal of police investigation and the heroism of intelligent, emphatic cops. But the crime drama leaves a stunning blind spot about the brutalities, corruption, and systematic failures of the Delhi Police itself. By Karan Madhok