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The Chakkar - Indian Arts Review
Death and the Afternoon Siesta
28 August 2026
Death and the Afternoon Siesta
28 August 2026

Short story by Vishnu Bagdawala: ‘Sometimes, I would lie in bed waiting for the tears to come. Sometimes, I would wonder how it was strange that we needed to sleep in order to be awake for the rest of our lives. Until the day when, like my grandfather, we fall into an eternal sleep.’

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28 August 2026
Resistance and Care in Nihaarika Negi’s TENFA
25 August 2026
Resistance and Care in Nihaarika Negi’s TENFA
25 August 2026

Set against the landslide-prone terrain of Kinnaur, plagued by environmental collapse and infrastructural neglect, the short film Tenfa (2026) provides a vision of hope through memory, ecology, and community. By Sohini Sengupta

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25 August 2026
Mass Market Hate
22 August 2026
Mass Market Hate
22 August 2026

Propaganda films force upon us the grand question, writes Sanjay Basak: Are we loudly applauding the breathtaking production on screen, or are we quietly absorbing the idea that someone, somewhere, deserves to be feared, hated, or erased? 

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22 August 2026
True Lies in the Heartlands: Chandan Pandey’s LEGAL FICTION
Literature The Chakkar 16/01/22 Literature The Chakkar 16/01/22

True Lies in the Heartlands: Chandan Pandey’s LEGAL FICTION

Much of the novel Legal Fiction is about the facts only understood as fiction, and the fictions that should never interfere with facts. Chandan Pandey’s story shines in the uncomfortable confluence of the real and imagined in a dangerous New India. By Karan Madhok

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