In Aparna Sanyal’s Instruments of Torture, each tale is a deep dive into the abyss of human suffering, portraying characters who are not just victims of their circumstances but also complex individuals grappling with the aftermath of their traumas. By Namrata

Fiction by Chitra Gopalakrishnan: ‘Ganika is, of course, what I chose to call myself. Others in the town called me a woman of the court. Or a woman of the night.’

Fiction by Jigar Brahmbhatt: ‘Their office was fixed in time, no different from any other office: the neat partitions, cold furniture, and glass, glass, everywhere. Like a simple rule to add two numbers, the office was never going to change. Only the folks playing table tennis seemed ephemeral, like shapes made of fumes.’

Fiction by Neera Kashyap: ‘The next week he, Paltu, joined the moulis. To gather honey, to pay off debts, to induce his mother to eat two meals again, to oil her hair, to soap her body, to close the door to their hut. For his father had gone, and would never return.’

Fiction by Anannya Nath: ‘Prosenjit forgets to react. What would he do now? How should he talk her through this? Is this what happens once you forget about being a father?’

Fiction by Rijuta Pandey: “Anyway, when your life depends on a thread, you learn to weave anything out of it. You can weave even the blue sky.”

Fiction by Adrija Chatterjee: ‘For twenty-eight consecutive days, there had been no phone call from Oli’s house, from Ravti. You understand how the grave the situation is, an already unelectrified village, perhaps now shrouded in some unimaginable stillness.’

Short Story by Ananda Kumar: ‘He saw the black hairy tops of their heads, less like decked on top of each other, and more like the Siamese version of foreheads stuck together, threatening to break skin and bleed to death, if one were to try pulling them apart.’

Fiction by Karthik Krishnan: ‘Her mother had told her that a flower-carrier never died. The flowers were a promise of life, she had said. They touched her with their perfume, imbuing her with foreverness.’

Fiction by Neera Kashyap: ‘“My friends say this is dirty blood,” she said. “That’s why nobody talks about it, not even our mothers. Not even when there is pain. My mother says not to eat this and that, says I have to be careful now, dress modestly, not talk to boys.”’

Fiction by Kanya Kanchana: ‘Have you ever considered what it takes to make a goddess appear from wood and stone? My uli does not make a single false stroke.’

Fiction by Urmi Chakravorty: ‘She lived in a community where a woman could cement her position only after she bore children. Without a biological offspring, her worth was limited: she was like another supermarket product, destined to be discarded after a brief shelf life.’