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The Chakkar - Indian Arts Review
A Man, Unfinished
24 September 2026
A Man, Unfinished
24 September 2026

In the solo play Adhura, Vivek Vijayakumaran explores how, even as we idolise historical and mythological figures, life tests the ideals they embody. Do these tests still liberate us, or do they become burdens that make it harder to make choices? By Sravasti Datta

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24 September 2026
Last Night’s Silence – Five Poems by Aardhra Chandran
21 September 2026
Last Night’s Silence – Five Poems by Aardhra Chandran
21 September 2026

Poems by Aardhra Chandran: ‘Concrete trucks rumble past his fence, shaking the loose teeth / in his jaw, spitting black diesel smoke onto his holy basil plant. // He measures his life not in years, but in missing trees—/The neem chopped for wood, the mango that died of thirst.’

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21 September 2026
‘Charulata’ and The Unseen Woman
18 September 2026
‘Charulata’ and The Unseen Woman
18 September 2026

‘To exist fully as an artist and human, one must be seen, heard, read, and acknowledged’: Farah Ahamed explores Satyajit Ray’s Charulata through the lens of Simone de Beauvoir.

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18 September 2026
Indian Generosity: An Excerpt from TRANSFORMED BY INDIA
Creativity The Chakkar 22/01/25 Creativity The Chakkar 22/01/25

Indian Generosity: An Excerpt from TRANSFORMED BY INDIA

‘I had only met Jumma briefly the year before, while Helene knew neither of them before that night. Yet, for us, this kind couple was willing to undergo the supreme sacrifice and give us the most precious thing in their lives: their beloved son.’ By Stephen P. Huyler

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Mr./Ms. Anonymous – An Excerpt from THE MYSTERY OF THE SILKY WAVES
Creativity The Chakkar 16/01/25 Creativity The Chakkar 16/01/25

Mr./Ms. Anonymous – An Excerpt from THE MYSTERY OF THE SILKY WAVES

Fiction by A.G. Malavika: ‘Jinu took a deep breath and mentally steeled herself for the task ahead. They were diving into a murky world of grief, deceit, and hidden truths. And she knew that only their unyielding determination and intuition would guide them through this labyrinth.’

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