BLASPHEAR by Sohail Rauf: Religion, Fear, and the Cost of Silence
Set against a backdrop of religious abuse and suffocating intolerance, Sohali Rauf’s Blasphear is a sharp commentary on the ideas of nationhood, and how its intangible forces act as blind shepherds, leading the masses down paths they cannot question. By Amritesh Mukherjee
Gopal Lahiri’s Poetry of Motion
The ecopoems in Gopal Lahiri’s Anemone Morning delve into a kind of exploratory myth that engages readers with creative potential, stressing that there could be no division between who we are and where we are. By Dustin Pickering
A ‘Spicy’ Feast of Fantasy
Prashanth Srivatsa’s The Spice Gate as a spectacular debut fantasy, a feast to the readers who slurp on worldbuilding, while also making them wonder if a freer world is possible. By Akankshya Abismruta
“I surrendered to the chaos”: An Interview with Tashan Mehta, author of MAD SISTERS OF ESI
“I was chasing this desire to pin down the inexplicable when I wrote Mad Sisters, but acknowledge that it is inexplicable. It sort-of grew in the novel, intwining with the cosmos and the idea of the sublime, and how the interpersonal is the tether that keeps us sane—and perhaps caged.” By Akankshya Abismruta
Celestial Broadcasts
Sanket Mhatre poems in A City Full of Sirens address and interrogate the relations between ‘the eternal’ and ‘the transient’ in a nuanced manner, tearing into the expansive multiplicities of singular moments. By Ankush Banerjee
In the Unifying Language of Verse
Published in India’s 75th year of Independence, Converse: Contemporary English Poetry by Indians (2022) presents unique and diverse voices from the diaspora, with poems that are a sustained discussion with history, oneself, the environment, myth, science, and relationships. By Dustin Pickering
Obsession and Namelessness in Devibharathi’s THE SOLITUDE OF A SHADOW
In The Solitude of a Shadow, Devibharathi presents a complex picture of a vengeance-seeking narrator fractured by trauma, caste, and identity crisis. By Sneha Pathak
A Way of ‘Happening’: Amitava Kumar’s THE YELLOW BOOK
Amitava Kumar’s The Yellow Book: A Traveller's Diary (2023), conceptualizes the journal itself as an art object, where the act of journaling becomes a form of artistic practice. By Pranavi Sharma
“Sometimes silence works”: Words and Withdrawals in Kiriti Sengupta’s Oneness
Kiriti Sengupta’s Oneness (2024) is a condensed capsule of poetry, one that weaves multiple strains of being into an organic unity. With his vivid and sonic juxtapositions, the compositions in the new collection both obfuscate and enlighten the reader. By Ajanta Paul
A Chronicle of Mob Violence, Transgressions, and Social Media
Chronicle of An Hour and a Half (2024) establishes Saharu Nusaiba Kannanari as a writer fierce and loyal to his craft, as he invites the readers to reflect on the spectacle of violence in our technologically-powered society. By Akankshya Abismruta
Ranjit Hoskote’s Shimmering Lights
At the core of Ranjit Hoskote’s latest poetry collection Icelight is a restlessness, a searching presented as a series of inward questions which never quite find their resolve; they keep going until the question itself becomes the endgame. By Vinita Agrawal
A Bombay That Demands More
Tejaswini Apte-Rahm’s The Secret of More (2022) tells a provocative tale of urbanization in early 20th-century Bombay. By Akankshya Abismruta