‘Memory is not always an active remembrance’: Two poems by Mehaq Khurshied

Photo: Karan Madhok

‘Her nostalgia was only bitter. There was no sweetness to balance it. / Of course, she loved him like our women are taught to love / Love, entrapped in obligation and duty.’

- Mehaq Khurshied

//UNLEARNING//

When will I learn,

That nothing can be achieved

From the incessant racking of your emotions

That no miracles will drop down from the sky

To wrap your heart in love

The wind will keep swaying

Even when the shelter you created

is long gone

And you sit like a hermit on top

of a desolate mountain

Trying to take lessons from the loneliness.

It is not a perfect teacher

but it will make you learn

That most of the ideas will become obsolete

till the time I write them down

When will I learn,

That this life wasn’t supposed to be a fight

designed for one to lose

I carry my hopes in one hand

And my aches in the other

And most days

I sit down with my hands

clasped together

So, my hopes give birth to new aches

And well, my aches

Have learned to trail behind

like a broken limb

sore to the eye, motionless

The flower that blooms outside my home

is the heart throbbing in a dead field.

Other days, it is but just a red

pumping flesh

misplaced in a dead field.

I tread in a world that relies on ambiguity

And uncertainty

And I, for one,

walk through it like another deer

on a concrete road

With the dreams of a lonely dense green land,

I watch the indifference of the cars passing by,

The curious eyes of the bicyclers

I go ahead and step on a fog line

And realize I wish to learn nothing

of this concrete world.

*

//In Defense of Remembrance//

I am looking at a picture of my childhood

sitting in the lap of my startled eyed: long-nosed grandmother

and her fairly masculine hands wrapped around my little torso.

A faint, formal smile on her face.

You see, I don't know much about the preservation of memory, except through pictures. I never served to maintain the idea of someone who once was. All I know is that most moments in our lives are only bittersweet. I try to delve into the possibility of remembrance by looking closely into the picture—and even closer into her eyes.

I see nothing except the memory of someone else

the ache of absence;

of her dead husband peripheralizing her.

I do remember that she disliked getting her pictures clicked

even more, looking at the old pictures of her

because it reminded her of her husband.

Her nostalgia was only bitter. There was no sweetness to balance it.

Of course, she loved him like our women are taught to love

Love, entrapped in obligation and duty.

But I have started to believe that she only remembered him

because it was easier than forgetting

and because forgetting would mean accepting that she had survived without him.

And when she died, I already knew that I would survive

I tell stories about her now and then,

I cried some tears and moved on

Only to realize a commonplace phenomenon

That memory is not always an active remembrance

Because as I define her in an opulent vocabulary

thick words outlining her deceased body

That one day snares my memory when she signed an official paper

A woman who only knew how to write her name

In a space belonging to men

in a language where I try to find her now

a language, that had served her nothing

I had peeked over and looked at it

uneven words spelling- S a f i y a

No one else had paid much attention

she hadn’t looked at me either

but in that brief moment,

she didn’t need to remember anybody else

to be someone

At that moment,

she was what she was: an independent entity

floating in her sour air

S a f i y a, with no begum at the end of her name.

***


Mehaq Khurshied is an English graduate from Poonch, Jammu and Kashmir. She did her MA in English Literature from Ambedkar University Delhi. She writes often when a poem comes to her as naturally as leaves to a tree. She muses about the nostalgic memories of her home, to turn her perpetual home-sickness into a creative endeavour. She carries verses of Forough Farrokhzad, Mary Oliver and Plath on tip of her tongue, and a desire to write half as good as them in her heart. You can find her on Instagram: @blurryface03.

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