Debut novelist Atharva Pandit discusses why he chose to render the true-crime story as fiction in Hurda, the polyphonic nature of the narrative, and his uninhibited portrayal of the investigation and the actors involved in the case. By Saurabh Sharma

Personal Essay by Deepak Sridhar: ‘You have arrived at the footsteps of Indian uncle-dom when, watching someone in the public sphere do something of note, you think to yourself: “That could have been me.” In my case, the “what-if” pursuit was stand-up comedy.’

Poetry by Sunkara Gopal: ‘From elsewhere, the wind breaks into a room, turns the pages, / Writes four sentences. / The song, somewhere born, dismantles the silence.’ Translated from Telugu by Jyothsnaphanija

India’s high youth unemployment should be a cause for greater alarm. Not only is it a question of under-utilization of the most precious resource of a nation—its young people—but it also raises the spectre of social tension and unrest. By Vipin Labroo

In a wide-ranging conversation with, acclaimed poet and dancer Tishani Doshi spoke to Ronald Tuhin D’Rozario about her literary work, the fundamentals of ‘Vilambit’ in her writing, and artistic journeys through space and time.

In a new collection, Goan artist Harshada Kerkar paints intimate portraits to celebrate the lives of locals and villagers around Mussoorie. By Karan Madhok

“What is the relationship a person has to a landscape, their land, and a home?” Shalmali Shetty speaks about her career as a curator, global themes of home and homecoming, and the changing atmosphere for artists around the world. By Deekshith Pai

Delivered with humour and discomfort, Jyoti Dagra’s solo performance Maas examines the politics of beauty and its intersections with social media, the public and the private gaze, and our capitalist society’s conception of female beauty. By Prerna S.

Directed by Vinay Shukla, While We Watched focuses on how journalist Ravish Kumar holds onto the basic tenets of ethical journalism in a country facing informational crisis and democratic backsliding. By Archit Nanda

Photography by Sk Suhana Mohammad: The topsy-turvy lives of fishing communities by the Rupnarayan River in West Bengal, who have drawn strength from kinship and tradition for generations.

Released 15 years ago, Zoya Akhtar’s Luck By Chance (2009) was a stinging critique of the shabbiness and the showmanship of the Hindi film industry, where one of the industry’s own looked within and held out a mirror for all to see. By Sneha Bengani

In Abhishek Anicca’s memoir The Grammar of my Body (2023), the protagonist is a disabled body, charting its terrain through the unforgiving, able-bodied world. By Priyanka Chakrabarty