M. Pravat’s solo exhibit, ‘Concrete Dusk’ showcased a breath-taking collection of burnt brick sculptures and paintings in abstraction, exploring the essence of the cityscape. By Satarupa Bhattacharya

A poem by Kabir Deb: ‘I arrange / myself like a cook – a guide to heaven / where food is cherished with / the people we fall in love / with

Seventy-five years after the subcontinent was lacerated and partitioned, the anthology The Other in The Mirror attempts to bind the fractured reflections of Indians and Pakistanis, using the balm of literature. By Karan Madhok

A poem by Sayani Mukherjee: ‘Experienced insides of adult bones / Dilly dally fall / Over the window / A little trinket of shower’

Spun with compassion and realism, the stories from Varanasi in Vivek Nath Mishra’s collection No One An Outsider ask contrasting questions of belonging, compassion, self-destructiveness, and death. By Dustin Pickering

Aakash Prabhakar—who directed and acted in the Indian reimagining of Mark Bartlett’s play, Cock—speaks to Chintan Girish Modi about the complexities of adaptation, casting, identity politics, and the human discomfort with ambiguities.

Classical musician/composer Vivek Venugopal introduces his latest piece Moods for Violin and Piano, Op. 15, where he finds musical relief to accompany a myriad of life’s temperaments faced during the pandemic.

Poetry by Shivangi Mishra: ‘Forgetful of two lithe directions, that damned street, / Faced and faced not in retreat, / Turning its back on dense civilisation’

What’s The Chakkar? Episode 22: We’re reading books by Shrayana Bhattacharya and Ottessa Moshfegh; listening to music by Blackstratblues; and watching the series Indian Predator. Featuring Shaista Vaishnav, Ady Manral, and Samir Kumar. Hosted by Karan Madhok.

Short story by Chitra Gopalakrishnan: ‘The river always makes a mockery of these predictions, bursting its banks when least expected, and changing course as it wills, when it wills. The only certainty is its uncertainty.’

1946 Royal Indian Navy Mutiny: Last War of Independence adds yet another dimension to the existing accounts on the struggle for Independence. But how does our remembrance of history truly carry over to the present? By Priyanka Chakrabarty

Flash fiction by Karan Madhok: ‘Kunal imagines Yashaswi Sir running in the dark, back towards the bus, through the grass and the weeds and the shrubs. Over snakes and rabbits and frogs. Away from the light, seeing nothing, vacuum only making way for more vacuum.’