With characters that explore complexities of LGBTQ and Disability issues, Netflix’s new coming-of-age web-series takes baby steps into bringing a diversity of representation into the mainstream. - By Atulya Pathak

From Paatal Lok and Leila to A Suitable Boy and Deepika Padukone’s films, Indian movies and web series face targeted attacks from the outraged right-wing, hell-bent to shape the national narrative to their own terms. Is there a way forward for true creative voices to survive in the mainstream? By Karan Madhok

The true rags-to-riches tale of a stockbroker, Scam 1992: The Harshad Mehta Story is a gripping chronicle of the corrupting power of ambition, as well as an astute commentary on an archaic financial system that both boosted and crippled India’s economy - by Jamie Alter.

From the fierce Baldev Singh in Dilwale Dulhaniya Le Jayenge, the inimical patriarchs in Mohabbatein and Kabhi Khushi Kabhi Gham, and gentler fathers in Thappad and Gunjan Saxena, Harshita Murkarka takes a look at the evolution of fatherhood in the post economic-liberalised Bollywood.

Interview: Kuldeep Ruhil, the scriptwriter of the MX Player web series Aashram stayed at eleven ashrams and deras in North India to research why devotees are drawn magnetically to self-styled Babas.- by Barkha Kumari

Season 2 of Prime Video’s hit show Mirzapur continued its debauchery of gore, lust, back-stabbings, and politics from the UP/Bihar belt. But at its core, the series is an exploration of fathers and sons, of expectations and fallouts, of family lost and family found. By Karan Madhok

The MX Player web-series Aashram (2020) follows a similar blueprint in tackling India’s fascination with seductive, flawed godmen—mysticism, sex, violence, and masala—without daring to truly examine the deeper roots of society’s discontents. - by Harshita Murarka.

S.P. Balasubrahmanyam’s iconic voice and plethora of soundtracks marked the multilingual singer as one of the most essential artists of his time. Jamie Alter recalls the impact of the crossover artist in the Hindi film industry.

Mira Nair’s limited series, A Suitable Boy—based on Vikram Seth’s novel—reveals even with changing times, many of our approaches to arranged marriage in India have remained the same. By Nidhi Choksi Dhakan.

How Anvita’s Dutt film Bulbbul (2020) turned the age-old story of churails into a complex feminist fairy tale - by Harshita Murarka.

There is a clear disconnect between Indian sports and films about Indian sports. We love inspiring cinematic stories about sports in India—often ignoring the sports themselves. Jamie Alter analyses this dichotomy.

Superfluous, dispensable, and restricted, Netflix’s Indian Matchmaking is as (Un)necessary as arranged marriage itself. An analysis into the flaws of the docu-series—and the deeper flaws it exposes in contemporary Indian culture. By Harshita Murarka.