Does the reader choose their book? Or the book its reader? Satyarth Pandita explores this grand moment of literary connection and resonance.

Chronicle of An Hour and a Half (2024) establishes Saharu Nusaiba Kannanari as a writer fierce and loyal to his craft, as he invites the readers to reflect on the spectacle of violence in our technologically-powered society. By Akankshya Abismruta

Debut novelist Atharva Pandit discusses why he chose to render the true-crime story as fiction in Hurda, the polyphonic nature of the narrative, and his uninhibited portrayal of the investigation and the actors involved in the case. By Saurabh Sharma

India’s high youth unemployment should be a cause for greater alarm. Not only is it a question of under-utilization of the most precious resource of a nation—its young people—but it also raises the spectre of social tension and unrest. By Vipin Labroo

In a new collection, Goan artist Harshada Kerkar paints intimate portraits to celebrate the lives of locals and villagers around Mussoorie. By Karan Madhok

“What is the relationship a person has to a landscape, their land, and a home?” Shalmali Shetty speaks about her career as a curator, global themes of home and homecoming, and the changing atmosphere for artists around the world. By Deekshith Pai

Directed by Vinay Shukla, While We Watched focuses on how journalist Ravish Kumar holds onto the basic tenets of ethical journalism in a country facing informational crisis and democratic backsliding. By Archit Nanda

Released 15 years ago, Zoya Akhtar’s Luck By Chance (2009) was a stinging critique of the shabbiness and the showmanship of the Hindi film industry, where one of the industry’s own looked within and held out a mirror for all to see. By Sneha Bengani

In Abhishek Anicca’s memoir The Grammar of my Body (2023), the protagonist is a disabled body, charting its terrain through the unforgiving, able-bodied world. By Priyanka Chakrabarty

Marnina (Avirup) spoke to representatives from Queer organizations at the 2024 Kolkata Book Fair about the experience of hosting their stalls, seeking diversity in Indian publishing, and much more.

Through films like Bhakshak, Peepli Live, Phir Bhi Dil Hai Hindustani, and more, Takshi Mehta explores a complex interplay in the representation of media and journalists in Indian cinema, where real and reel stand as opposing mirrors reflecting each other.

In The Grammar of My Body, Abhishek Anicca shared his journey of discovering his disability and chronic illness. In an interview, Anicca spoke about disability in the face of capitalism, politics, and literature in an ableist society. By Akankshya Abismruta