In a new collection, Goan artist Harshada Kerkar paints intimate portraits to celebrate the lives of locals and villagers around Mussoorie. By Karan Madhok

“What is the relationship a person has to a landscape, their land, and a home?” Shalmali Shetty speaks about her career as a curator, global themes of home and homecoming, and the changing atmosphere for artists around the world. By Deekshith Pai

Photo Essay: In a visit to the Serendipity Arts Festival in Panjim, Goa, Deekshith Pai explored the political complexities of contemporary art while rediscovering his own ancestral lands.

Short story by Michelle D’costa: ‘A man had overdosed that day. Jude remembers the tattoo on the OD guy’s bicep: A dragon spitting fire which held three symbols, Om, a cross, and a star cradled in a crescent moon.’

Finding the highest highs in the deepest depths, India’s finest Freediver Mario Fernandes hopes to spark greater interest in the country in the sport of diving and marine conservation. By Bindu Gopal Rao

‘The idea is not to renounce the good things in life, but to actually understand them.’ Vipin Labroo argues why India—with its vast inequality, unemployment, and environmental concerns—needs a shot of minimalism in the lifestyles of our burgeoning population.

From the Himalaya to the coastlines, unchecked tourism is destroying India’s ecological balance. We can’t afford to return to our pre-pandemic state of a tourist-induced environmental catastrophe. By Vipin Labroo

In the late 2000s, Karan Madhok left home to travel alone around India, living off a backpack, sleeping in trains, searching for more of his country, and finding more parts of himself. In a photo-essay, he recalls why this ‘bharat darshan’ was the best experience of his life.

For a fund-raising project, photographer Angad Bir Singh Sodhi tells an internal story through lush external colours of Goa in the monsoon season