Where is the Work?
India’s high youth unemployment should be a cause for greater alarm. Not only is it a question of under-utilization of the most precious resource of a nation—its young people—but it also raises the spectre of social tension and unrest. By Vipin Labroo
Stepping Beyond the Boundaries: An Interview with Tishani Doshi
In a wide-ranging conversation with, acclaimed poet and dancer Tishani Doshi spoke to Ronald Tuhin D’Rozario about her literary work, the fundamentals of ‘Vilambit’ in her writing, and artistic journeys through space and time.
Queens of the Hills
In a new collection, Goan artist Harshada Kerkar paints intimate portraits to celebrate the lives of locals and villagers around Mussoorie. By Karan Madhok
Spiritual Homecomings: Shalmali Shetty on her curatorial project “The nights will follow the days”
“What is the relationship a person has to a landscape, their land, and a home?” Shalmali Shetty speaks about her career as a curator, global themes of home and homecoming, and the changing atmosphere for artists around the world. By Deekshith Pai
Jyoti Dogra’s MAAS: The Body and Its Desires
Delivered with humour and discomfort, Jyoti Dagra’s solo performance Maas examines the politics of beauty and its intersections with social media, the public and the private gaze, and our capitalist society’s conception of female beauty. By Prerna S.
The Interplay of Fear and Courage in WHILE WE WATCHED
Directed by Vinay Shukla, While We Watched focuses on how journalist Ravish Kumar holds onto the basic tenets of ethical journalism in a country facing informational crisis and democratic backsliding. By Archit Nanda
A Symbiotic Dance of Survival and Reverence
Photography by Sk Suhana Mohammad: The topsy-turvy lives of fishing communities by the Rupnarayan River in West Bengal, who have drawn strength from kinship and tradition for generations.
Luck, Chance, and Cinema
Released 15 years ago, Zoya Akhtar’s Luck By Chance (2009) was a stinging critique of the shabbiness and the showmanship of the Hindi film industry, where one of the industry’s own looked within and held out a mirror for all to see. By Sneha Bengani
Survival is an act of defiance
In Abhishek Anicca’s memoir The Grammar of my Body (2023), the protagonist is a disabled body, charting its terrain through the unforgiving, able-bodied world. By Priyanka Chakrabarty
In Our Own Voices: Queer Representation at the International Kolkata Book Fair
Marnina (Avirup) spoke to representatives from Queer organizations at the 2024 Kolkata Book Fair about the experience of hosting their stalls, seeking diversity in Indian publishing, and much more.
Silver Screen Circus
Through films like Bhakshak, Peepli Live, Phir Bhi Dil Hai Hindustani, and more, Takshi Mehta explores a complex interplay in the representation of media and journalists in Indian cinema, where real and reel stand as opposing mirrors reflecting each other.
“I Embrace My Bitterness” - An Interview with Abhishek Anicca
In The Grammar of My Body, Abhishek Anicca shared his journey of discovering his disability and chronic illness. In an interview, Anicca spoke about disability in the face of capitalism, politics, and literature in an ableist society. By Akankshya Abismruta